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・ Eduard Suess
・ Eduard Sukhanov
・ Eduard Sõrmus
・ Eduard Taaffe, 11th Viscount Taaffe
・ Eduard Tauwitz
・ Eduard Telcs
・ Eduard Thelen
・ Eduard Thöny
・ Eduard Tisse
・ Eduard Tișmănaru
・ Eduard Toldrà
・ Eduard Toll
・ Eduard Nápravník
・ Eduard Oganesyan
・ Eduard Oja
Eduard Ole
・ Eduard Opitsch
・ Eduard Oriol
・ Eduard Ortgies
・ Eduard Oscar Schmidt
・ Eduard Oswald
・ Eduard Ovčáček
・ Eduard Pagáč
・ Eduard Palla
・ Eduard Pant
・ Eduard Pantserzhanskiy
・ Eduard Pană
・ Eduard Pap
・ Eduard Partsikyan
・ Eduard Paul Tratz


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Eduard Ole : ウィキペディア英語版
Eduard Ole

Eduard Ole (20 May 1898 – 24 November 1995) was an Estonian painter. Some of his most representative works are on permanent exhibition at the Kumu Art Museum of Estonia.
In 1973 Ole published in Sweden his two-volume illustrated memories ''Suurel maanteel'' ((英語:On the Big Highway)) I and II. A new edition of these books were published in Estonia in 2010.
==Expressionism, Cubism==
Ole was the seventh child in a farmer's family with eight children. Very young, Ole came in contact with modern western art by means of reproductions in the art school library and by visiting galleries and museums in Saint Petersburg and Moscow. He studied at the Imperial Academy of Arts in St. Petersburg, Russia between 1914 and 1918, where he became particularly influenced by German Expressionism.
Ole returned to Estonia in 1918, when his country became independent, and worked as a theatre designer, teacher of drawing, art critic and as of 1923, as a professional artist. That year, together with Friedrich Hist (1900–1941) and Felix Randel (1901–1977, named Johansen until 1936) he formed the Group of Estonian Artists in Tartu. This group was able to organize a whole series of exhibitions dedicated to Cubism experimentation, although Ole himself never became totally non-figurative, retaining a strong link with the material world. Their work was primarily distinguished by modest geometricized abstraction and decorative colourism suggested by Synthetic Cubism, rather than by explorations of simultaneity or collage. A good example of this phase is the work (Natüürmort kitarriga ) (''(英語:Still life with a guitar)'') of 1925.
Ole's cubist period lasted only until 1926. That year he began to draw with India ink. Some examples of this phase are the works (Rannal ) ((英語:At the Beach)) of 1926, (Jalgpallurid ) ((英語:Football players)) of between 1926 and 1927, (Seltskond ) ((英語:A Company)) and
(Fokstrott ) ((英語:Foxtrot)) both of 1927.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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